A painter like de Chirico presents a unique point-of-view much as a photographer such as Cindy Sherman does hers; similarly, while we can say both Bergman and Antonioni were visionaries, their visions were far different from, say, Bu??uel (think of the juxtapositions throughout L'Age D'or), Cocteau, and even in his own-universe way, the late Stan Brakhage: entering into any of these artists' priva