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  • In radio Adios (1982) and Money (1985), and also Plagiarism (1981)--in which you work with New york poets, dancers, musicians including john zorn, Diane Ward, Sally Silvers, ron Silliman, James sherry, Abigail Child, Charles Bernstein, Bruce Andrews, Hannah Weiner, jackson Mac Low--there is a highly kinetic use of cut-up techniques that is structured by certain cadences or tempos that emerge from
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