We welcome papers dealing with thosecontemporaries (such as Scott, Rogers, Campbell, Moore, Gifford, etc.) thatByron tended to prefer to such poets as Wordsworth, Coleridge, or Keats.Papers could also concern what can be determined/deduced/guessed about theaesthetic criteria Byron brought to bear upon what he read, and how thesecriteria may help illuminate the gap between our modern version(s) of