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By comparison, the second movement, Flowing, offers gently arching melodic lines, expressive flutters, and even a touch of Hollywood-tinged romantic sweeps.??? Of the final movement, McGinn said, ???The final Scherzo (Italian for ???joke???) is less an homage to the traditional form, as employed by composers such as Beethoven and Schubert, than an invitation for vibrant playfulness of gesture and
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