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In one sense, her strategy is perfectly traditional: poetry is, after all, the language art, the art that, in Hugh Kenner???s words, ???lifts the saying out of the zone of things said.???[2] Kenner???s reference here is to Williams, who was a master of that art, as were, in the next generation, Lorine Niedecker and George Oppen, and in ours, such poets as Charles Bernstein and Susan Howe, Steve Mc
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