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While zine publishers such as Tom Cho (Sweet Valley Zine) and Vanessa Berry (Psychobabble, Laughter and the Sound of Teacups, I am a Camera) have subsequently had books, drawing on their zines, published (Cho: Look Who???s Morphing 2009; Berry: Ninety9 2013), or pursued other careers in writing and the arts, including journalism, publishing, design, and academia, the zine continues to flourish as
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