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The film's intentionally harsh and gritty B&W cinematography helped to usher in a new era of unvarnished realism in motion picture photography, manifest for years to come in such films as HUD, SECONDS and IN COLD BLOOD -- the respective work of James Wong Howe and Conrad Hall.Metty's fianl decade was a mixed bag, encompassing Don Siegel's MADIGAN, EYE OF THE CAT, THE OMEGA MAN (now a cult film, fo
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