<http://webisa.webdatacommons.org/112873518>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/112873518>	<http://www.w3.org/ns/prov#value>	"When art historians attempt to unite the two halves of this composition together, they generally do so by turning to theology, demonstrating how the lower part and upper register are connected by such concepts as faith, despite the fact that they depict different biblical episodes." .
<http://webisa.webdatacommons.org/112873518>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<typepad.com> .
<http://webisa.webdatacommons.org/prov/225839612>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/112873518> .