<http://webisa.webdatacommons.org/128574172>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<findagrave.com> .
<http://webisa.webdatacommons.org/prov/101350370>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/128574172> .
<http://webisa.webdatacommons.org/prov/297475835>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/128574172> .
<http://webisa.webdatacommons.org/prov/49937460>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/128574172> .
<http://webisa.webdatacommons.org/prov/106438419>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/128574172> .
<http://webisa.webdatacommons.org/prov/297376875>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/128574172> .
<http://webisa.webdatacommons.org/128574172>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/128574172>	<http://www.w3.org/ns/prov#value>	"He scored all of Cocteau's subsequent films, memorably the classic Beauty and the Beast (1946), had a fruitful association with Britain's Ealing Studios, and worked with such directors as Rene Clair, Max Ophuls, John Huston, William Wyler, and Henri-Georges Clouzot." .