. . "k in such films as Unknown and Frost/Nixon, but to me he will always be the leading man I discovered in Williamstown Theatre Festival's Cyrano in 1971, the brilliant young actor I profiled for a magazine when he was starring as Broadway's Dracula.) Having chatted with Langella for two hours in a Manhattan coffee shop in 1977, I knew he possessed traits that would help him as a writer: self-deprecati" . .