<http://webisa.webdatacommons.org/183156458>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<mla.org> .
<http://webisa.webdatacommons.org/prov/58673060>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/183156458> .
<http://webisa.webdatacommons.org/prov/100095417>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/183156458> .
<http://webisa.webdatacommons.org/183156458>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/183156458>	<http://www.w3.org/ns/prov#value>	"How did composers such as Jean-Baptiste Lully, Richard Wagner, and Lewis Spratlan and their librettists transpose literary texts from Counter-Reformation imperial Spain for ideologically divergent audiences?" .