<http://webisa.webdatacommons.org/prov/397059770>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188004908> .
<http://webisa.webdatacommons.org/prov/157369144>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188004908> .
<http://webisa.webdatacommons.org/prov/270152584>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188004908> .
<http://webisa.webdatacommons.org/188004908>	<http://www.w3.org/ns/prov#value>	"Rosemary Betterton, in this issue, and elsewhere (Betterton 2006), highlights the work of Susan Hiller, Catherine Lewes, Tracey Emin, Marc Quinn, Alison Lapper, Helen Chadwick, Christine Borland, Elizabeth Mackenzie and Anna Furse, amongst many others, as examples of artists exploring maternal ambivalence, birth, the pregnant body and maternal subjectivities." .
<http://webisa.webdatacommons.org/prov/165158513>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188004908> .
<http://webisa.webdatacommons.org/prov/484085993>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188004908> .
<http://webisa.webdatacommons.org/188004908>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/188004908>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<bbk.ac.uk> .
<http://webisa.webdatacommons.org/prov/304664778>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188004908> .