<http://webisa.webdatacommons.org/prov/309871194>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188780519> .
<http://webisa.webdatacommons.org/prov/388439300>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188780519> .
<http://webisa.webdatacommons.org/prov/276562209>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188780519> .
<http://webisa.webdatacommons.org/prov/309464563>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/188780519> .
<http://webisa.webdatacommons.org/188780519>	<http://www.w3.org/ns/prov#value>	"Focusing on such artists as Ed Ruscha, Douglas Huebler and Francis Alys, the talk is part of a larger study of the meaning of the '60s and '70s in contemporary art and culture." .
<http://webisa.webdatacommons.org/188780519>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/188780519>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<mica.edu> .