<http://webisa.webdatacommons.org/192242811>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/185239202>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192242811> .
<http://webisa.webdatacommons.org/prov/351459123>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192242811> .
<http://webisa.webdatacommons.org/prov/57712832>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192242811> .
<http://webisa.webdatacommons.org/192242811>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<blay.se> .
<http://webisa.webdatacommons.org/192242811>	<http://www.w3.org/ns/prov#value>	"So what we need to explore today is not so much the right/wrong and legal/illegal of sharing of information, but how different platforms, interfaces and practices of sharing foster different kinds of relations and attentions to sound and music." .
<http://webisa.webdatacommons.org/prov/409604099>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192242811> .