<http://webisa.webdatacommons.org/192862171>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/162234702>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192862171> .
<http://webisa.webdatacommons.org/prov/481655402>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192862171> .
<http://webisa.webdatacommons.org/192862171>	<http://www.w3.org/ns/prov#value>	"The 20th cent. also saw the attempted revival of drama in verse, but although such writers as William Butler Yeats, W. H. Auden, T. S. Eliot, Christopher Fry, and Maxwell Anderson produced effective results, verse drama was no longer an important form in English." .
<http://webisa.webdatacommons.org/prov/164760978>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192862171> .
<http://webisa.webdatacommons.org/prov/158444466>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192862171> .
<http://webisa.webdatacommons.org/prov/209218427>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/192862171> .
<http://webisa.webdatacommons.org/192862171>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<reference.com> .