<http://webisa.webdatacommons.org/prov/171425523>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/194254436> .
<http://webisa.webdatacommons.org/prov/494768968>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/194254436> .
<http://webisa.webdatacommons.org/prov/75318927>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/194254436> .
<http://webisa.webdatacommons.org/prov/70190635>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/194254436> .
<http://webisa.webdatacommons.org/194254436>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/194254436>	<http://www.w3.org/ns/prov#value>	"Labour of loveThanks to films such as Four Weddings and a Funeral and Notting Hill, Richard Curtis has long been Britain's most successful screenwriter." .
<http://webisa.webdatacommons.org/194254436>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<telegraph.co.uk> .