<http://webisa.webdatacommons.org/prov/313943690>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/214739544> .
<http://webisa.webdatacommons.org/prov/68740573>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/214739544> .
<http://webisa.webdatacommons.org/prov/69993957>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/214739544> .
<http://webisa.webdatacommons.org/214739544>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/214739544>	<http://www.w3.org/ns/prov#value>	"Photographers such as Irving Penn, Richard Avedon, and Cecil Beaton portrayed the new ideal of feminine artifice." .
<http://webisa.webdatacommons.org/214739544>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<huliq.com> .