<http://webisa.webdatacommons.org/prov/160379962>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/221995789> .
<http://webisa.webdatacommons.org/prov/156971299>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/221995789> .
<http://webisa.webdatacommons.org/prov/266680066>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/221995789> .
<http://webisa.webdatacommons.org/221995789>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/386230084>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/221995789> .
<http://webisa.webdatacommons.org/221995789>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<britannica.com> .
<http://webisa.webdatacommons.org/prov/158137288>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/221995789> .
<http://webisa.webdatacommons.org/221995789>	<http://www.w3.org/ns/prov#value>	"Artists such as Richard Estes, Ralph Goings, Audrey Flack, Robert Bechtle, and Chuck Close attempted to reproduce what the camera could recor...photo-roman (photography and literature)...spy stories pleased both critics and the reading public." .