<http://webisa.webdatacommons.org/prov/162457811>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/225676251> .
<http://webisa.webdatacommons.org/225676251>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/391530222>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/225676251> .
<http://webisa.webdatacommons.org/prov/136586392>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/225676251> .
<http://webisa.webdatacommons.org/225676251>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<microscopegallery.com> .
<http://webisa.webdatacommons.org/225676251>	<http://www.w3.org/ns/prov#value>	"Through it all, Neel???s focus shifts back and forth from the shocking acts of penance or praise to the TV cameras, camcorders, cell phones and other devices capturing their every movement." .