<http://webisa.webdatacommons.org/prov/45663827>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/237350803> .
<http://webisa.webdatacommons.org/prov/100144652>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/237350803> .
<http://webisa.webdatacommons.org/prov/295337383>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/237350803> .
<http://webisa.webdatacommons.org/prov/297153526>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/237350803> .
<http://webisa.webdatacommons.org/237350803>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<digitalinterviews.com> .
<http://webisa.webdatacommons.org/237350803>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/237350803>	<http://www.w3.org/ns/prov#value>	"Calling upon a wide variety of musical genres, Don Alias has supplied the rhythmic foundation to such luminaries as George Benson, James Taylor, Al Jarreau, Quincy Jones, Chick Corea, Miles Davis and Roberta Flack." .
<http://webisa.webdatacommons.org/prov/104833192>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/237350803> .
<http://webisa.webdatacommons.org/prov/296465390>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/237350803> .