<http://webisa.webdatacommons.org/prov/81984504>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/242091361> .
<http://webisa.webdatacommons.org/prov/302737041>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/242091361> .
<http://webisa.webdatacommons.org/prov/483655627>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/242091361> .
<http://webisa.webdatacommons.org/242091361>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/242091361>	<http://www.w3.org/ns/prov#value>	"Along with other intellectual, social activists, and marginalized groups, artists, such as Rigo 23, Zheng Guogu (Yangjiang Group), Ho Tzu Nyen, Abraham Cruzvillegas, Yang Jiechang, and Xijing Man embody the most active, sensitive and efficient force of critique." .
<http://webisa.webdatacommons.org/prov/306518213>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/242091361> .
<http://webisa.webdatacommons.org/242091361>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<museumpublicity.com> .