. . "And with a critical backlash against the B3 organ as a viable jazz instrument as an added burden, artists such as Lonnie Smith, Big John Patton, Larry Young, and Rueben Wilson got somewhat lost in the shuffle.For Wilson, who settled in New York and formed his first trio the Wildare Express in 1966, even an inventive series of recordings for Blue Note, beginning with 1968's On Broadway, seemed to b" . .