<http://webisa.webdatacommons.org/prov/140839351>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/268507638> .
<http://webisa.webdatacommons.org/268507638>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/186803583>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/268507638> .
<http://webisa.webdatacommons.org/268507638>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<dmagazine.com> .
<http://webisa.webdatacommons.org/268507638>	<http://www.w3.org/ns/prov#value>	"Musicians and fans alike, including me, were drawn to Annex House???s aesthetic: music for its own sake and BYOB. It existed as other house-show venues had and still do, without the blessing or support of advertisers, owners, or city officials." .