<http://webisa.webdatacommons.org/289915452>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<wikipedia.org> .
<http://webisa.webdatacommons.org/289915452>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/44665166>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/289915452> .
<http://webisa.webdatacommons.org/prov/58035888>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/289915452> .
<http://webisa.webdatacommons.org/prov/102393759>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/289915452> .
<http://webisa.webdatacommons.org/289915452>	<http://www.w3.org/ns/prov#value>	"Stylistic influences regarding counterpoint, formal structure, and harmonic language, included composers such as Marcel Dupr??, Maurice Durufl??, No??l Gallon, Olivier Messiaen, and Florent Schmitt." .