. "White, who was not an art historian, pointed out Rembrandt, like Caravaggio and Titian and other artists, found that the classical approach to art as Aristotle conceived of it, i.e., of imitation of nature and that of painting what is perfection, was too restrictive and that it was possible to replace that classical approach with a dramatic use of light and darkness as Caravaggio did years before" . . . . .