<http://webisa.webdatacommons.org/prov/270636881>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/308722279> .
<http://webisa.webdatacommons.org/prov/393887318>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/308722279> .
<http://webisa.webdatacommons.org/308722279>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/308722279>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<artnet.com> .
<http://webisa.webdatacommons.org/prov/156261509>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/308722279> .
<http://webisa.webdatacommons.org/308722279>	<http://www.w3.org/ns/prov#value>	"In Penn's work, this meant that figures such as Truman Capote, Pablo Picasso and others were reduced to the lowest common denominator of genius, the objectification of fashion commodification, art for the beautiful and the stupid." .