<http://webisa.webdatacommons.org/prov/291718296>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/30914454> .
<http://webisa.webdatacommons.org/prov/282490305>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/30914454> .
<http://webisa.webdatacommons.org/30914454>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<nsw.gov.au> .
<http://webisa.webdatacommons.org/30914454>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/30914454>	<http://www.w3.org/ns/prov#value>	"Looking in particular at three couturiers - Paul Poiret, Germaine Bongard, and Coco Chanel - and three breakthrough fashion magazines - La Gazette du Bon Ton, Vanity Fair, and Vogue - Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six." .