<http://webisa.webdatacommons.org/318569789>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/355297048>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/318569789> .
<http://webisa.webdatacommons.org/prov/139977191>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/318569789> .
<http://webisa.webdatacommons.org/318569789>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<nybooks.com> .
<http://webisa.webdatacommons.org/318569789>	<http://www.w3.org/ns/prov#value>	"As a movement, Surrealism had fallen apart well before 1939, yet even today it is remarkable how many of its features survive, sporadically, in the life around us, particularly in advertising and show-business." .