<http://webisa.webdatacommons.org/prov/271024948>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/331427806> .
<http://webisa.webdatacommons.org/prov/397478237>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/331427806> .
<http://webisa.webdatacommons.org/prov/157781457>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/331427806> .
<http://webisa.webdatacommons.org/331427806>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/331427806>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<numerocinqmagazine.com> .
<http://webisa.webdatacommons.org/331427806>	<http://www.w3.org/ns/prov#value>	"Lutz lists Barry Hannah, Sam Lipsyte, Christine Schutt, and F. Scott Fizgerald as influences, and he is a former student of Gordon Lish, who published many of Lutz???s early stories in the legendary The Quarterly, the avant-garde journal Lish ran between 1987 and 1995 (publishing (and introducing) such writers as Don Delillo, Nancy Lemann, Thomas Lynch, Tim O???Brien and Num??ro Cinq???s Capo di t" .