<http://webisa.webdatacommons.org/prov/65125435>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/337015069> .
<http://webisa.webdatacommons.org/337015069>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/337015069>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<criterion.com> .
<http://webisa.webdatacommons.org/prov/66476004>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/337015069> .
<http://webisa.webdatacommons.org/prov/208716425>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/337015069> .
<http://webisa.webdatacommons.org/337015069>	<http://www.w3.org/ns/prov#value>	"David Ehrenstein has been writing about film since 1965, for such publications as Film Culture, Film Quarterly, Film Comment, Cahiers du cin??ma, and Positif." .
<http://webisa.webdatacommons.org/prov/71615>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/337015069> .