<http://webisa.webdatacommons.org/342659441>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<blogspot.com> .
<http://webisa.webdatacommons.org/342659441>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/393464396>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/342659441> .
<http://webisa.webdatacommons.org/342659441>	<http://www.w3.org/ns/prov#value>	"It blurs into deliberate metafiction (I saw several Luc Moullet films a couple weeks ago - he does things like that all the time - cheap, artificial looking sets, crew members turning up on camera or other people running around with film cameras, or even stepping out of the story completely to talk about the film we are seeing...) But even less intentional things can have a strange appeal - like th" .