<http://webisa.webdatacommons.org/348271090>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/111514239>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/348271090> .
<http://webisa.webdatacommons.org/prov/64884488>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/348271090> .
<http://webisa.webdatacommons.org/prov/66476004>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/348271090> .
<http://webisa.webdatacommons.org/348271090>	<http://www.w3.org/ns/prov#value>	"He has written for Film Comment, Cineaste, InterCommunication, Osian???s Cinemaya, Cinemaction, The Boston Phoenix, The Boston Globe, The Village Voice, The Chicago Reader, Film International, Senses of Cinema, and other publications." .
<http://webisa.webdatacommons.org/prov/206261924>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/348271090> .
<http://webisa.webdatacommons.org/prov/452590149>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/348271090> .
<http://webisa.webdatacommons.org/prov/208777804>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/348271090> .
<http://webisa.webdatacommons.org/348271090>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<con-can.com> .