<http://webisa.webdatacommons.org/373243880>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<blogspot.com> .
<http://webisa.webdatacommons.org/prov/215758472>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/373243880> .
<http://webisa.webdatacommons.org/373243880>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/373243880>	<http://www.w3.org/ns/prov#value>	"Several of the pieces performed featured as many as twelve parts, among them Tomkins???s ???O praise the Lord??? (also featured on their newest recording), and Praetorius???s polychoral ???Tota pulchra es.??? In the case of the Tomkins, the individual voices were allowed to stand out as a vehicle for expressing the complex counterpoint." .