<http://webisa.webdatacommons.org/prov/307866764>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/37401748> .
<http://webisa.webdatacommons.org/37401748>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/103745004>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/37401748> .
<http://webisa.webdatacommons.org/prov/99855956>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/37401748> .
<http://webisa.webdatacommons.org/prov/454580947>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/37401748> .
<http://webisa.webdatacommons.org/37401748>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<withoutend.org> .
<http://webisa.webdatacommons.org/37401748>	<http://www.w3.org/ns/prov#value>	"On the other side of the conflict, directors and writers such as Neil Labute, Richard Dutcher, Curtis Hanson, and Michael Mann are interviewed." .
<http://webisa.webdatacommons.org/prov/388731387>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/37401748> .
<http://webisa.webdatacommons.org/prov/389492299>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/37401748> .