<http://webisa.webdatacommons.org/382884284>	<http://www.w3.org/ns/prov#value>	"Encompassing artists such as Ashley Bickerton, Haim Steinbach, and Jeff Koons, its forms relied heavily on Duchampian and post-Pop mergers between art objects and commodities." .
<http://webisa.webdatacommons.org/prov/136236532>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/382884284> .
<http://webisa.webdatacommons.org/382884284>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<louisville.edu> .
<http://webisa.webdatacommons.org/382884284>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/135816931>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/382884284> .
<http://webisa.webdatacommons.org/prov/155983029>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/382884284> .