<http://webisa.webdatacommons.org/388802397>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<jhu.edu> .
<http://webisa.webdatacommons.org/388802397>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/397106005>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/388802397> .
<http://webisa.webdatacommons.org/prov/210379390>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/388802397> .
<http://webisa.webdatacommons.org/prov/212961669>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/388802397> .
<http://webisa.webdatacommons.org/prov/485569269>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/388802397> .
<http://webisa.webdatacommons.org/388802397>	<http://www.w3.org/ns/prov#value>	"Duncan argues that writers such as Maxine Hong Kingston, Mitsuye Yamada, Joy Kogawa, Theresa Hak Kyung Cha, Nora Okja Keller, and Anchee Min deploy silence as a means of resistance." .