<http://webisa.webdatacommons.org/prov/317830682>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/422254038> .
<http://webisa.webdatacommons.org/prov/420310025>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/422254038> .
<http://webisa.webdatacommons.org/422254038>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<artforum.com> .
<http://webisa.webdatacommons.org/422254038>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/422254038>	<http://www.w3.org/ns/prov#value>	"Suturing celebrities such as Marilyn Monroe, Muhammad Ali, and Marcel Duchamp, he allowed their individual looks and messages to intrude on one another, disrupting advertising???s ostensibly personal address to the viewer." .
<http://webisa.webdatacommons.org/prov/263048660>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/422254038> .