<http://webisa.webdatacommons.org/55279540>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/160191395>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/55279540> .
<http://webisa.webdatacommons.org/55279540>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<dvdizzy.com> .
<http://webisa.webdatacommons.org/prov/108155313>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/55279540> .
<http://webisa.webdatacommons.org/55279540>	<http://www.w3.org/ns/prov#value>	"Shortly before the advent of CinemaScope and 3D and the standardization of widescreen and color, here was a format that attempted to reproduce the human field of vision with three cameras, three projectors, and an immersive, curved screen." .