<http://webisa.webdatacommons.org/62817861>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<jhu.edu> .
<http://webisa.webdatacommons.org/prov/179149567>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/62817861> .
<http://webisa.webdatacommons.org/prov/380225827>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/62817861> .
<http://webisa.webdatacommons.org/62817861>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/62817861>	<http://www.w3.org/ns/prov#value>	"Network television in both the United States and United Kingdom bears the mark of the legacy of film noir with shows such as Peter Gunn, Johnny Staccato, The Fugitive, and Danger Man that perpetuated the noir tradition with alienated protagonists and classic noir themes such as crime, moral ambivalence, and political corruption..." .