<http://webisa.webdatacommons.org/prov/331704812>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/67788272> .
<http://webisa.webdatacommons.org/prov/298989768>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/67788272> .
<http://webisa.webdatacommons.org/prov/410245371>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/67788272> .
<http://webisa.webdatacommons.org/67788272>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/67788272>	<http://www.w3.org/ns/prov#value>	"The best of Bollywood today can be compared with the Hollywood of the 1930s, 40s and 50s when directors such as John Ford, Alfred Hitchcock, Nicholas Ray and Howard Hawks did much great work despite the many constraints of the studio system." .
<http://webisa.webdatacommons.org/67788272>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<blogspot.com> .
<http://webisa.webdatacommons.org/prov/460440024>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/67788272> .