<http://webisa.webdatacommons.org/6817384>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/383042066>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/6817384> .
<http://webisa.webdatacommons.org/prov/179227268>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/6817384> .
<http://webisa.webdatacommons.org/prov/376944968>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/6817384> .
<http://webisa.webdatacommons.org/6817384>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<dooyoo.co.uk> .
<http://webisa.webdatacommons.org/6817384>	<http://www.w3.org/ns/prov#value>	"As a coping mechanism, Nick concocts what he terms a \"supplementary persona, hilariously named Fran??ois Dillinger; a moustache-donning, bad-mouthed, irascible upstart who just might be bad enough to win Sheeni's heart once and for all.Youth in Revolt's opening sections very much play off against Cera's persona built-up in films such as Superbad and Nick and Norah's Infinite Playlist, reinforced" .