<http://webisa.webdatacommons.org/71390892>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/71390892>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<wemakemovies.org> .
<http://webisa.webdatacommons.org/prov/66547528>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/71390892> .
<http://webisa.webdatacommons.org/prov/83223326>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/71390892> .
<http://webisa.webdatacommons.org/71390892>	<http://www.w3.org/ns/prov#value>	"eers, Breton was a deviation, Guy Debord???s Society of the Spectacle was a shared paradigm, Sartre was his b??te noire, and philosophers such as Michel Foucault, Julia Kristeva, and Gilles Deleuze were hiscompagnons de route (fellow travelers)." .