<http://webisa.webdatacommons.org/81705935>	<http://www.w3.org/ns/prov#wasQuotedFrom>	<artdaily.com> .
<http://webisa.webdatacommons.org/prov/427302905>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/81705935> .
<http://webisa.webdatacommons.org/81705935>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/ns/prov#Entity> .
<http://webisa.webdatacommons.org/prov/427590982>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/81705935> .
<http://webisa.webdatacommons.org/81705935>	<http://www.w3.org/ns/prov#value>	"In the series Histories Koester retraces the sites captured by canonical artists and photographers, including Robert Adams, Gordon Matta- Clark and Bernd & Hilla Becher to present two histories: that of conceptual photography, and that of the places and events depicted." .
<http://webisa.webdatacommons.org/prov/68832938>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://webisa.webdatacommons.org/81705935> .