Both Fantastic Man and The Gentlewoman cultivate a polite, modernist sensibility. (The captions in Fantastic Man, for instance, refer to subjects as ???Mr. [name]'.) They are beautifully designed and extremely well-curated, a necessity for publications that issue just twice per year. (Necessary, but not always easy: says Jop, ???We have so many ideas!') Most of the features are about people who ar