It is perhaps no coincidence that Wendy Carlos's synthetic soundscapes for TRON are at least as memorable as Vangelis's score for the real-world companion to TRON: the movie BLADERUNNER. Though neither film and neither composer's work was intended to be a companion to the other, due to subject matter, production, the year of release, and other factors, it is almost inescapable that TRON and BLADER