Although his genre-spanning work with Skylab on 1994's #1 brought his talents for organized chaos before a wider audience, it was ultimately his role in the production chair for such artists as Tricky, Bjork, and, eventually, U2, that landed him a multi-album recording deal with Polydor which yielded LPs including 1996's Music for Babies, 1997's Turn the Dark Off and 1999's Snatch.