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  • In turning to something different, he took a lead from one of the web paintings, Number 32, 1950, a work that was exceptional among them in that there was no contrapuntal colour because for some reason or another he had produced his calligraphy in nothing but black.Now, black was to become a colour which for the Abstract Expressionists, as I have said elsewhere, was sacred; it was their lapis lazu
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