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  • Inspired by the Dunciad (1728, 1742) of his idol, Pope, and modeled largely on William Gifford???s Baviad (1791) and Maeviad (1795), the poem, in heroic couplets, takes indiscriminate aim at most of the poets and playwrights of the moment, notably Walter Scott, Robert Southey, William Wordsworth, and Samuel Taylor Coleridge, sparing only Gifford, Samuel Rogers, and Thomas Campbell, who deferred to
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