In his 1975 article ???The Two Avant-Gardes,??? published in Studio International (November/December 1975), Peter Wollen describes a split within advanced European film between the artisanaly-made, noncommercial films of the ???co-op movement,??? which extended a modernist, high-art legacy of the medium, and filmmakers such as Jean-Luc Godard and Jean-Marie Straub and Dani??le Huillet, who distrib