From his time as a hotshot agent in the mid-70s, when he spent his days nurturing the careers of new artists like Steven Spielberg, Jane Fonda and Francis Ford Coppola, to his stint at United Artists when he produced such films as Rocky, Apocalypse Now and Annie Hall, to his co-founding of Orion Pictures and eventful tenure as the head of TriStar Pictures, during which he piled up credits like Rob